The Legend of Gilgamesh (2024)

The Legend of Gilgamesh (1)

Updated 2 August, 2014 - 01:14 ancient-origins

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Myths are traditional stories that address the various ways of living and being. The well-known myth of Gilgamesh has been cited in many sources as one of the first stories in our recorded human history originating from Mesopotamia, Iraq today, though some maintain it was not just a fairytale but was based on some elements of truth. Only a few tablets have survived from the original Sumerian texts dating back to 2000 BC and written in cuneiform language. The Babylonian version is, however, two thirds complete and dates back to 13th to 10th century BC. Some of the best copies weren’t discovered until the 7 th century in the library ruins of the Assyrian king, Ashurbanipal. For our modern accounts, it was only after the First World War that the Gilgamesh myth reached a wider audience, and only after the Second World War that it began to feature in a variety of genres.

The Legend of Gilgamesh (2)

The Flood Tablet / The Gilgamesh Tablet / Library of Ashurbanipal (7 th century BC). Credit: British Museum.

This myth can be divided in two main sections. In the first half, Gilgamesh, the King of Uruk, was set to marry an equal woman in rank named Ishtar. However, Enkidu, a wild beast, gets created, as a rival to Gilgamesh, to go to Uruk and free its people from the harsh behaviours of their King. Gilgamesh and Enkidu first fight each other but then Gilgamesh finds such unique strength in Enkidu that he offers to become close friends with him. They shake hands and decide to go on a long distant journey to the Cedar Mountains to defeat Humbaba the monstrous god of storm and forests. The two kill Humbaba but Ishtar sends someone to kill Enkidu. In the meanwhile, Gilgamesh refused to take Ishtar's hand in marriage. Ishtar becomes enraged and sends someone to kill Gilgamesh’s best companion, Enkidu.

The Legend of Gilgamesh (3)

A cylinder seal of a bearded, naked Humbaba with very large ears being slain by a crowned Gilgamesh with a sword or dagger and an axe-wielding Enkidu. Image source.

In the second half, Gilgamesh, feeling sad about Enkidu’s death, goes on a long and distant journey to find the secret of eternal life from a man named Utnapishtim. Utnapishtim had survived a great flood and was granted immortality by the gods. Going through many towns and talking to many people, he sees that the life one looks for, one never finds because the gods keep life in their own hands. However, he finally manages to find Utnapishtim and asks him for the secrets. Utnapishtim challenges Gilgamesh to stay awake for 7 days and then he can tell him the secrets. Of course, Gilgamesh fails that test but nevertheless Utnapishtim introduces Gilgamesh to a plant that can restore youth. Gilgamesh happily takes the plant for bring to his people in Uruk but the plant gets stolen by a snake along the way (hence the snake’s ability to shed its skin and rejuvenate). Disappointed and tired, Gilgamesh goes back to Uruk empty handed but wiser and with more peace and experience to await his death.

The Legend of Gilgamesh (4)

Gilgamesh being robbed of the plant by the snake. Image source.

The myth of Gilgamesh has influenced both ancient as well as modern literature and culture. The themes from the epic can be found in later biblical and classical literature. In fact, various themes, plot elements, and characters in Gilgamesh have counterparts in the bible, notably the accounts of the Garden of Eden, the advice from Ecclesiastes, and Noah's Flood. Perhaps, through engaging with the myth of Gilgamesh we could explore its parallels to our modern lives today, and project the future possibilities of humanity.

A creative team, named Gilga-studio, along with Mark Mellon, an indigenous international artist, are working on recreating the myth of Gilgamesh for an e-book and hardcover rendition for children and adults. To stay in touch with their progress, visit their website or Facebook page.

Featured image: Gilgamesh Cylinder Seal Impression Photo: Tom Jensen. The Schoyen Collection. (c. 2700/2600 BC)

By Noushin Nabavi

References:

What is Mythology by David K. Abraham. 2014. [Online]
http://www.davidkabraham.com/OldWeb/Beliefs/Education/mythology.htm

Gilgamesh Myth, 2014. [Online]
http://www.mythencyclopedia.com/Fi-Go/Gilgamesh.html#b

Wikipedia, 2014. Gilgamesh. [Online]
http://en.wikipedia.org/wiki/Epic_of_Gilgamesh

Illustrated Mythical book of Gilgamesh in English and Farsi. Patreon [Online]
http:// http://www.patreon.com/user?u=215147

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    Jerry Cornelius wrote on 5 June, 2019 - 10:45

    Gilgamesh Immortal wild born wore lion skins
    till tamed by the priestess Ishtar
    Great Sage and Warrior defeated mortality
    the unceasing tyranny of Time

    Invincible Conqueror he first captured Uruk
    then even to Lebanon on the Middle Sea shore
    Sumer's great gods he brought and smashed idols
    his glories are carved in permanent rock

    Gilgamesh Emperor refused his mortality
    challenged this affronting curtailment of power
    He curses the gods who gave mankind death
    and kept immortality themselves

    He desecrates the temples dismantles the altars
    discredits the ancient beliefs
    Then Gilgamesh wanders again wearing lion skins
    searching for everlasting life

    But he cannot claim one hundred years
    or even five days in this world
    till Sleep gently takes to her restful abode
    the great warrior docile and blind

    Eternity is found in the cavernous dark
    excess time too great to endure
    Is this then my fate or will I cease to be
    Gilgamesh resolves to inquire

    The answer he learns as sailors well know
    lies on the deep ocean floor
    But that bitter truth encased in sharp spines
    has never been brought back to shore

    Undaunted the sage who searched beyond heaven
    for the secret to undying youth
    ties rocks to his feet descends through the deep
    poised at the threshold of death

    Gilgamesh plucks and swallows the fruit
    too thorny for mortals to hold
    Then returning to Uruk reigned fifty more years
    devoted and caring for all

    Ninety-nine years was his time on this earth
    after ninety-nine years and nine days
    maggots appeared a great stench arose
    his corpse was consigned to the flames

    His funeral remembered for eighty four years
    was portrayed in gold and bright stones
    The shrine was revered for five hundred more
    then plundered and levelled by foe

    But Gilgamesh Immortal has no need of monuments
    from clay to papyrus he strides
    From parchment to print and digital media
    technologies yet to arrive

    Ripples arise in the seething entropy
    multitudes exist and subside
    Five thousand years and all that has passed
    Gilgamesh alone survives.

    scabs mcscrotum wrote on 15 July, 2015 - 18:41

    The above article mentions parallels between the Epic of Gilgamesh and the Bible – I’ve gone into that in more detail in the ‘manuscripts’ section of the ‘history and archaeology’ forum, if you’re interested.

    "Hurry else Death may spy us here, and quicken the pulse of dawn . . ."

    Morrigane wrote on 28 August, 2014 - 09:41

    Thank you for correcting them and I agree with your statement. I am so glad I read comments!

    Gwydion Emrys wrote on 28 August, 2014 - 07:50

    I take issue with the telling of a great myth while clearly not having read it oneself, merely ABOUT it. Gilgamesh was not betrothed to Ishtar. Ishtar was a goddess who tried to seduce Gilgamesh. Gilgamesh refused HER, not the other way around, because she had a reputation for killing her lovers. She petitioned the leader of the gods, Anu, to lend her the Bull of Heaven to destroy Gilgamesh, saying that he had insulted her. Gilgamesh and Enkidu slay the Bull.

    Speaking of Enkidu, he was not a beast, but a wild man. Tales of his strength spread, and a sacred temple whor* was sent to gentle him and civilize him by sleeping with him. He and Gilgamesh do fight to a standstill, and do become friends. Anu is the one who sends them after Humbaba, who is a dragon, by the way, as a test. He did not want them to kill Humbaba, merely subdue him. But when, with some help from Anu, they subdue the dragon, Enkidu encourages Gilgamesh to kill Humbaba, which angers the gods. Enkidu is punished with a wasting disease that slowly kills him, which inspires Gilgamesh's fear of death and starts him on his journey.

    Don't post about ancient myths if you can't get them right, lest the thousands of people who read your page suffer from believing wrong information.

    ancient-origins wrote on 27 August, 2014 - 03:58

    Hi Brad. It appears that there is a bug not showing the subject line of comments under the articles (but it is shown in the recent comments page). We are working to fix it. Thanks for that!

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